雾、河流与少年 · Luo Huan
“对形象的关注是我重要的思维基础，表情、姿态、颜色、光洁的表面都使我着迷，从中我看到了难以言说的情绪；后来，我又发现了透明感、材料的质地、触感、温度感…..各种各样的媒介丰富了我对形象的认知和表述，从而带我进入一个更为广阔的领域，更加确切的表达出我感知到的世界。假如用一个词语概括我所追求的境界，大概是“气息”。我希望尽量用节制的材料、形态和关系去构筑一个场，借以表述复杂的情感，它不是理性、科学的分析，而是直觉的和引人入胜的，这个气息会影响人，并且，我以为这是属于东方的。”
——罗幻
▲《雾》 112cm×32cm×21cm 混合材质 2011
▲《灌木》 83cm×50cm×22cm 铜 2012
▲《河流》 117cm×45cm×33cm 混合材料 2012
▲《陆上行舟》 72cm×27cm×42cm 铜 2010
▲《陆上行舟》 500cm×120cm×90cm 混合媒介 2010年
▲《一蓑烟雨任平生》 15cm×17cm×45cm 铜 2016
▲《返影入深林 复照青苔上》 270cm×160cm×75cm 铸铁 2014
▲《坐看云起时》 54cm×50cm×27cm 大理石、木 2015
"Attention to the image is the basis of my important thinking, expression, posture, color, clean surface all make me fascinated, from which I see indescribable emotions; later, I found transparency, material texture, touch, temperature sense. ... Various media enriched my perception and expression of the image, thus bringing me into a broader field, more accurately expressing the world I feel. If I use a word to summarize the realm I pursue, it is probably "breath". I would like to try to construct a
▲
field with moderate materials, forms and relationships to express complex emotions, which are not rational and scientific analysis, but intuitive and fascinating, which affect people, and which I think belong to the East.
雾、河流与少年 · Luo Huan
“对形象的关注是我重要的思维基础，表情、姿态、颜色、光洁的表面都使我着迷，从中我看到了难以言说的情绪；后来，我又发现了透明感、材料的质地、触感、温度感…..各种各样的媒介丰富了我对形象的认知和表述，从而带我进入一个更为广阔的领域，更加确切的表达出我感知到的世界。假如用一个词语概括我所追求的境界，大概是“气息”。我希望尽量用节制的材料、形态和关系去构筑一个场，借以表述复杂的情感，它不是理性、科学的分析，而是直觉的和引人入胜的，这个气息会影响人，并且，我以为这是属于东方的。”
——罗幻
▲《雾》 112cm×32cm×21cm 混合材质 2011
▲《灌木》 83cm×50cm×22cm 铜 2012
▲《河流》 117cm×45cm×33cm 混合材料 2012
▲《陆上行舟》 72cm×27cm×42cm 铜 2010
▲《陆上行舟》 500cm×120cm×90cm 混合媒介 2010年
▲《一蓑烟雨任平生》 15cm×17cm×45cm 铜 2016
▲《返影入深林 复照青苔上》 270cm×160cm×75cm 铸铁 2014
▲《坐看云起时》 54cm×50cm×27cm 大理石、木 2015
"Attention to the image is the basis of my important thinking, expression, posture, color, clean surface all make me fascinated, from which I see indescribable emotions; later, I found transparency, material texture, touch, temperature sense. ... Various media enriched my perception and expression of the image, thus bringing me into a broader field, more accurately expressing the world I feel. If I use a word to summarize the realm I pursue, it is probably "breath". I would like to try to construct a
▲
field with moderate materials, forms and relationships to express complex emotions, which are not rational and scientific analysis, but intuitive and fascinating, which affect people, and which I think belong to the East.
雾、河流与少年 · Luo Huan
“对形象的关注是我重要的思维基础，表情、姿态、颜色、光洁的表面都使我着迷，从中我看到了难以言说的情绪；后来，我又发现了透明感、材料的质地、触感、温度感…..各种各样的媒介丰富了我对形象的认知和表述，从而带我进入一个更为广阔的领域，更加确切的表达出我感知到的世界。假如用一个词语概括我所追求的境界，大概是“气息”。我希望尽量用节制的材料、形态和关系去构筑一个场，借以表述复杂的情感，它不是理性、科学的分析，而是直觉的和引人入胜的，这个气息会影响人，并且，我以为这是属于东方的。”
——罗幻
▲《雾》 112cm×32cm×21cm 混合材质 2011
▲《灌木》 83cm×50cm×22cm 铜 2012
▲《河流》 117cm×45cm×33cm 混合材料 2012
▲《陆上行舟》 72cm×27cm×42cm 铜 2010
▲《陆上行舟》 500cm×120cm×90cm 混合媒介 2010年
▲《一蓑烟雨任平生》 15cm×17cm×45cm 铜 2016
▲《返影入深林 复照青苔上》 270cm×160cm×75cm 铸铁 2014
▲《坐看云起时》 54cm×50cm×27cm 大理石、木 2015
"Attention to the image is the basis of my important thinking, expression, posture, color, clean surface all make me fascinated, from which I see indescribable emotions; later, I found transparency, material texture, touch, temperature sense. ... Various media enriched my perception and expression of the image, thus bringing me into a broader field, more accurately expressing the world I feel. If I use a word to summarize the realm I pursue, it is probably "breath". I would like to try to construct a
▲
field with moderate materials, forms and relationships to express complex emotions, which are not rational and scientific analysis, but intuitive and fascinating, which affect people, and which I think belong to the East.
